Solo Show – every man a winner, COOP Gallery, Nashvile 7.2-7.30

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COOP Gallery is pleased to announce its July exhibition by Chicago artist Steven Frost. Entitled “every man a winner,” Frost reconfigures heroic tropes with his own decidedly craft and design-influenced aesthetic. Consisting of sculpture and fiber-based media, “every man a winner” addresses concerns of concept and materiality. Drawing on the assumed cultural and economic value of materials, as well as the visual language of comic books, sports, popular culture and queer effect, Frost presents them in alternative contexts, eventually recycling elements of his own work into future pieces. The result is an index of ideas that point back to one cultural point of origin and simultaneously to all its subsequent uses in his work.

The show opening is July 2 from 6-9 pm, and run through Saturday, July 30.

NEXT Fair at Art Chicago, 4.29 – 5.2

Liz Nielsen, 2011

Liz Nielsen, 2011

Swimming Pool Project Space is proud to announce “Group Show”. Come visit our booth in the Goffo section of the NEXT fair at Art Chicago. (Booth 600 on the 12th floor) The Exhibition runs April 29th through May 2nd, 2011

On view will be “Group Show” with works in video, photography, sculpture, painting, and interactive web-art,
unified by irreverent attitudes and motifs that challenge the aesthetic line between craft, kitsch, and impeccably manufactured objects.

Artists participating in the Swimming Pool exhibit include:

Daniel G. Baird
Jesse Butcher
Caleb Charland
Carly Fischer
Steven Frost
Shannon Goff
Lauren Gregory
David Harper
Brent Houston
Erin LaRocque
Jessie Mott
Liz Nielsen
Rafael Rozendaal

Visit www.nextartfair.com for opening hours and directions.

Feature Story in Chicago Art Magazine

Feature by Dee Clements in Chicago Art Magazine.

Steven Frost appropriates the combination of male stereotypes and theatricality that defines professional wrestling and boxing using a boastful elocution of craft and textile. His medium and subject matter create a visual tension that teeters on playful kitsch and gender identity. He is part of a generation of male artists working in the realm of Fiber Arts that are bringing the medium to the forefront of scholarship and critique. With the resurgence of DIY culture, rhetoric applied to craft is moving up the ladder of significant prominence in the art world. Artists like Mark Newport who hand knits oversized super hero costumes challenges notions of masculinity and vulnerability. Do Ho Suh creates site-specific environments, like his sewn apartment The Perfect Home, 2002, bringing into question the boundaries of identity. Other prominent contemporary male fiber artists like Ai Weiwei, El Anatsui are also incorporating traditional handicrafts in their practice to reconfigure notions of identity through medium. –Read the full article.

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Exploding Faces, Confining Spaces, Robert Bills Contemporary

[February 12 – March 15, 2011 ]
[ Opening Reception Saturday, February 12th from 5-8pm ]

Robert Bills Contemporary’s group exhibition, Exploding Faces, Confining Spaces, presents three artists whose violence and energy breaks the constraints of historical connotation and exceeds the confined space of their marginalized media. Nathan Vernau’s tormenting psychological narratives become entertainment for the viewer, showcased in shallow, comic-book-like and theatrical environments. The simple playfulness associated with the spaces and color themes inverts itself to become another mocking voice that tortures the multiple figurations of the artist that participate in acting out emotional turmoil. Steven Frost appropriates the combination of violence and theatricality that defines professional wrestling and boxing using the rhetoric of craft and textile. The exploding faces of the male figures, the symbolic location of their fictional and socially loaded identities, dissolve into entropic clouds shaped so as to embody the violence of their abstraction. Tiphanie Spencer’s employment of the antiquated arabesque aesthetic melds dainty decoration, abstracted figures and narratives into a single web of linear connectivity that seemsto dismantle what was previously an entire environment into its component parts, yet whose forms and branches remain hopelessly
entangled.

Steven Frost represents male tropes appropriated from pop culture within a textile-based rhetoric, bringing together a deceivingly playful lightness and a sharp awareness of these tropes’ embodied violence. His brilliant abstracting of violent movement and energy with materials like colorful pom-pom balls, string, rhinestones, and other craft materials creates an extremely emotive tension that is immediately registered by the viewer. The seemingly simple compositions pack a strong and disturbing punch with a complexity only fully realized when one becomes aware of the strange quality the craft materials take on in this context. Bullets are represented by rhinestones in the depiction of Davey Crocket, and a tangled mess of string instantly comes to represent the mutilation of flesh when considered in the context of a boxing match, standing in for the boxer’s destroyed face.

Robert Bills Contemporary was named one of the top ten hottest galleries at Next 2010 by The Chicago Tribune. The gallery is
located in Chicago’s West Loop at 222 North Desplaines Street at Lake on the lower level. For general inquiries please contact the Gallery Director, Emma Stein at emma@robertbillscontemporary.com, or call 312.234.9091.

Review in Chicago’s Flavorpill March 2009

Flavorpill March 2009 Review

Flavorpill Review

Artist Steven Frost is devising his own set of merit badges. Forget the Boy Scouts’ promotion of civic virtues and handy skills, like first aid and, umm, archery. In their place, Frost offers a celebration of human foibles and personal fantasies, like the Looking for Yourself in Missed Connections Badge. Yet beneath wry titles and colorful exuberance, Frost’s works on paper and fabric have a sharper edge. What appear to be line drawings are actually sown with thread, and by using a medium traditionally thought of as feminine, Frost tacitly ridicules the Scouts’ notorious positions on gender and homosexuality. With that in mind, the Mapplethorpe Is My Daddy Badge comes across as a brash wink.

– Karsten Lund

the Conscience of a Nation @ GMU 10.28.08

Catch my McCain portrait in this upcoming show…

 conscience of a nation

THE CONSCIENCE OF A NATION
SID CHAFETZ LEADS THE WAY
George Mason University Fine Arts Gallery
October 27-November 7, 2008

Reception Tuesday, October 28 from 4:30-6:00 p.m.

FAIRFAX, Va., October 2, 2008 – While Americans and the rest of the global community are intensely focused on the outcome of the 2008 presidential election, artists are also struggling with the point and counterpoint of the political compass in our nation’s capital. As a way of delivering personal responses and insights about our sense of conscience, including cultural identity and political decision-making, George Mason University’s Art and Visual Technology (AVT) department is presenting an exhibition titled The Conscience of A Nation: Sid Chafetz Leads The Way, curated by Helen Frederick, AVT professor and coordinator of printmaking. The show will be held at Gallery 123 on the Fairfax Campus from October 27 through November 7, 2008. The opening reception will be held on October 28 from 4:30-6 p.m.

The Conscience of A Nation features the work of a group of regional and invited artists from states such as Ohio, Tennessee and Wisconsin, who have been asked to exhibit their visual commentaries about our community, particularly to investigate the psyche of survival instincts and emergency situations that grow from the consequences of the political actions of our leaders. In order to make the exhibition dynamic and collaborative, George Mason University faculty and students are invited to add their own work to the exhibition throughout the week before and after the election.

“I conceived the exhibition as a way of sharing discourse and collaborating with other artists, including younger artists, at a time when transformation is critically needed in the world,” Frederick said. “The nation’s capital is a Petri dish for shared boundaries of cultural and political awareness. Mason seemed a very suitable place to make visible the psychic conditions growing from our deep personal and universal concerns that have erupted around the time of the election.”

The show is anchored around artist and printmaker Sid Chafetz’s provocative digital print “Walter Reed Hospital”. This 48 x 96” work was inspired by the Walter Reed Army Medical Center neglect scandal, and juxtaposes images of amputees and replacement limbs with the heads of George W. Bush, Dick Cheney, Donald Rumsfeld and Condoleeza Rice positioned on athletic bodies in motion.

“I’ve been very critical of this administration and its behavior and I thought an absurd image might express my feelings better than a factual image based on reality,” Chafetz said.

For more than 60 years, Chafetz has created art shaped by the political events that define our culture and determine our survival. His work is displayed at the Museum of Modern Art, the Cleveland Museum of Art, the Columbus Museum of Art and the Dahlem Museum in Berlin, among others.

Chafetz said that his work is inspired by Rembrandt “for his deep sympathy of human beings” and Francisco Goya, whose work “was consistently critical of war and its consequences.”

George Mason University students and faculty who wish to participate in “The Conscience of A Nation” must contact Helen Frederick, AVT associate professor and curator, at (703) 993-1013 or hfrederi@gmu.edu, or Solomon Wondimu, exhibitions assistant, at swondimu@gmu.edu.

The following artists will have work on display in “The Conscience of A Nation ”:

Ken Ashton
Graham Boyle
Meaghan Bush
Sid Chafetz
Billy Colbert
Fred Folsom
Peggy Feerick
Helen Frederick
Chawky Frenn
Steve Frost
John Hitchcock
Bridget Lambert
Manuel Navarette
Margaret A. Parker
Jefferson Pinder
Mark Planisek
Michael Platt

Steve Prince
Renee Sandell
Tate Shaw
Erwin Thamm
Yee-Haw Industries
Sean Watkins
Genna Watson
Rex Weil
Sue Wrbican

Additional George Mason Faculty and Students

This event is FREE and open to the public. The gallery is open to the public on weekdays from 9 a.m. to 9 p.m., and weekends by appointment. The Fine Arts Gallery is located on the Fairfax campus of George Mason University at the intersection of Braddock Road and Route 123. Paid parking is located in the deck adjacent to the mainstage Concert Hall.  Visit www.gmu.edu/cfa

Quart Bag Show @ Civilian Art Projects

I was lucky enough to be one of many local artists asked to participate in the Quart Bag show at Civilian Art Projects. Participants were asked to create work in a 1 quart bag (the airplane FAA approved size for liquid carry-ons). There were some amazing pieces and all the work is priced from $50-$100. Photographer Nikolas Schiller documented most of the work. Take a minute to check out Nickolas’ blog, The Daily Render if you missed the show.

Quart Bag @ Civilian Art Projects
Friday, August 8th – Saturday, August 16th, 2008
406 7th Street NW, 3rd Floor

Check out my Hello Kitty Double Headed Dildo!